Freek Persyn is a founding partner of Brussels based office 51N4E, a design practice dealing with complex and urban situations. Using space production as an approach, 51N4E imagines and develops the transformations in society on various scales. As architect and urban planner, Freek makes the link between the conceptual challenges and practical opportunities of the built and experienced environment, in collaboration with his international team in Brussels as well as a steadily growing network of alliances straddling various fields of expertise.
The Next Economy is also a collaborative economy, in which the balance of power between the different parties will shift, while new roles and alliances are created. Accordingly, in this transition design's role will shift in unexpected ways.
In his Next Walk, Freek Persyn exhibition curator of IABR–2016 and partner of 51N4E, will highlight what he feels are the most outspoken examples of this trend, from learning systems to boundary objects, and thus demonstrate the diverse ways in which design can contribute to the creation of new collaborations and unexpected alliances.
The Next Economy is also a collaborative economy, in which the balance of power between the different parties will shift, while new roles and alliances are created. Accordingly, in this transition design's role will shift in unexpected ways.
In his Next Walk, Freek Persyn exhibition curator of IABR–2016 and partner of 51N4E, will highlight what he feels are the most outspoken examples of this trend, from learning systems to boundary objects, and thus demonstrate the diverse ways in which design can contribute to the creation of new collaborations and unexpected alliances.
Albania should be considered a potentially rich country in terms of human capital and natural resources. How can these be activated to sustainably boost locally added value for what Albania’s Prime Minister Edi Rama has termed Next Generation Albania?
In response to Rama’s call to designers worldwide to contribute to Next Generation Albania, George Brugmans (IABR), Freek Persyn and Johan Anrys (51N4E, Brussels) proposed Atelier Albania.
The Atelier was established in February 2014 and integrated into the Albanian Ministry of Urban Development’s National Planning Office (AKPT), directly advising the Albanian government. AKPT’s director, Adelina Greca, is the Atelier’s director; Brugmans and Persyn were engaged as special advisors.
© Atelier Albania
Leapfrog
The challenges in Albania are immense when looked at from the perspective of having to catch up with the rest of Europe. On the other hand, all nations now face the challenge of how to successfully make the transition to the next economy, to a green economy in a resilient post-fossil future. Could Albania not skip the catching-up phase, and focus instead on how to leapfrog into the twenty-first century? To be able to do so, Albania must develop its own vision and strategy on the basis of the unique characteristics, cultural values, and scenic qualities of the country itself, and frame them in a global context.
Atelier Albania’s main ambition is therefore to design a sustainable economic development model for Next Generation Albania. Its first priority is to activate the potential of Albania’s territory by re-imagining it in terms of its natural ecology: a coherent ecosystem with a metabolism made up of material flows, such as water, food, and energy, the country’s main natural resources.
The main goal of the Atelier is to foster a culture of learning by doing, of national planning as a continuous work in progress, where planning becomes a strategic feedback loop that produces applicable plans and projects that in turn inform the process of planning, and so forth.
Three tracks
Now, almost two years after its inception, Atelier Albania has developed three main parallel tracks.
First, a series of international competitions has delivered pilot projects the most promising of which are now being nurtured towards implementation. These competitions scout the territory, find out the lay of the land and collect intelligence.
Secondly, a structural dialogue between different stakeholders and international experts has been stimulated that has led to the decision to reformat the National Planning Agency and to redefine its brief, which in fact should lead to Atelier Albania taking over most roles of the National Planning Agency.
Thirdly, the need for a coherent development frame, based on the ‘metabolism approach’ developed by IABR, has been advanced in order to give direction and focus to the immense challenge of spatial and urban development policies in Albania. This frame is needed to uncover, in an organic way, the leapfrog potential that the country has.
The Metabolism of Albania
The indispensable underpinning for such a coherent development frame was the research by design project The Metabolism of Albania, produced by iabr/UP (IABR’s division for project and knowledge development through research by design) in close collaboration with the urban design office 51N4E (Brussels).
picture: .FABRIC
The project was put into operation by a coalition of Albanian, Dutch and Belgian partners: Atelier Albania, the Albanian Ministry of Urban Development and other ministries, the PBL Netherlands Environmental Assessment Agency, the TU Delft Chair of Landscape Architecture, .FABRIC, 51N4E and IABR.
Atelier masters were Brugmans and Persyn. The project managers were Marieke Francke (iabr/UP), Sotiria Kornaropoulu (51N4E) and Joni Baboçi (AKPT).
The Dutch Embassy in Tirana and RVO NL/Ministry of Economic Affairs of the Netherlands generously supported the project.
The results of the project are published as The Metabolism of Albania: Activating the Potential of the Albanian Territory (iabr/UP, 2016). A selection of the results is the basis for the presentation of Atelier Albania in IABR–2016–THE NEXT ECONOMY. More information here.
Chief Curator of IABR–2016 is Maarten Hajer. The members of the Curator Team are Jandirk Hoekstra (H+N+S Landscape Architects, NL), Daan Zandbelt (De Zwarte Hond, NL), Joachim Declerck (Architecture Workroom Brussels, BE), Michiel van Iersel (Non-fiction and Failed Architecture, NL) and Freek Persyn (51N4E, BE). George Brugmans, the executive director of IABR, chairs the Curator Team.
CREDITS IABR–2016
George Brugmans, executive director
Maarten Hajer, chief curator
Joachim Declerck, Jandirk Hoekstra, Michiel van Iersel, Freek Persyn, Daan Zandbelt, curator team
ATELIERS
George Brugmans, director
Joachim Declerck, Jandirk Hoekstra, Daan Zandbelt, Mark Brearley, Freek Persyn, lead designers
Marieke Francke, program manager
Eva Vrouwe, office manager
Rinske Wessels, project manager
Christianne van de Weg, office assistant
EXHIBITION AND PROGRAM
Maarten Hajer, chief curator
Freek Persyn, Michiel van Iersel, curators exhibition
51N4E: Freek Persyn, Aline Neirynck, Charlotte Schmidt, Benoit Lanon, Lieselore Vandecandelaere, exhibition design
75B: Pieter Vos, Merel Snel, Onno Blase, graphic design
Edgar Pieterse, Mark Swilling, Tau Tavengwa (Africa), Lei Yang (China), guest curators
Mark Swilling, advisor of the chief curator
Jan Breukelman, assistant to the chief curator
Esther Muñoz Grootveld, program manager
Eva Vrouwe, office manager
Jolanda van Dinteren, project manager exhibition and catalog
Yonca Özbilge, project manager program
Myrte Langevoord, production assistant exhibition
Marieke Müller, production assistant program
Delany Boutkan, production assistant exhibition and program
Christianne van de Weg, coördinator ticketing and reception
Nina van de Broek, office assistant
Daniëlle Huisman, project manager marketing and communication
Nancy van Oorschot, press officer
Dorine Baars, assistant marketing and communication
Kevin Groen, assistant marketing and communication
Jan Breukelman, Maarten Hajer, Michiel van Iersel, texts exhibition
InOtherWords: D’Laine Camp, Gerda ten Cate, Maria Tol, text editing and translations
Bart Cuppens Tentoonstellingsbouw, exhibition construction
QUINTUSBELICHTING, lighting design
BrightSign/VHS-BV, WG Theatertechniek, media solutions
Rocka, printed matter
CATALOG
George Brugmans, Jolanda van Dinteren, Maarten Hajer, editors
InOtherWords translation & editing: D’Laine Camp, Gerda ten Cate, Maria van Tol, text editing and translations
75B: Pieter Vos, Merel Snel, graphic design
Veenman+, Rotterdam, print